A film editor can make a powerful creative contribution to any animated project. They can also make the process much more efficient to produce. Let’s look at why, and how, to collaborate with an editor for maximum effect on your production.

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Bill Kinder is the co-author of Making the Cut at Pixar: The Art of Editing Animation. He founded the Editorial & Post Production department at the renowned studio––which became known as the “hub of the wheel” for an unprecedented string of critically acclaimed box office winners.

Kinder began his career producing an Emmy®-nominated documentary, news, and sports; editing commercials; and creating experimental non-fiction films. Kinder was then the Director of Post Production Facilities at Francis Ford Coppola’s American Zoetrope in San Francisco.

Today he leads creative talent in various producing assignments which have included: animated series in Paris and Ho Chi Minh City; a “must-see” independent feature film; and essay films exploring cinema culture. More info at www.boxpix.co